A Love Bizarre

[00:00:00] Speaker A: It is now disclaimer time. [00:00:02] Speaker B: We are here to share Prince's works. [00:00:04] Speaker C: With the utmost authenticity, clarity, and precision. This means there may be situations where. [00:00:10] Speaker B: The material being discussed may be sensitive. [00:00:13] Speaker C: Or offensive to some. [00:00:14] Speaker B: However, we have chosen to discuss his work as it was initially produced. We will not alter any of his original work to suit anyone's comfort, including in our own. This podcast is to celebrate Prince and his works. [00:00:29] Speaker C: Thank you for your support and understanding. Now, on to the show. [00:00:36] Speaker B: Hello. Welcome to Alphabet Suite podcast for the Prince songbook. There are hundreds of songs to choose from. You have chosen. All right, everybody, welcome back to another episode of two Fat Bald Men talk about Prince, or as we like to call it, the Alphabet Suite podcast. I am your host, Pat. [00:01:00] Speaker A: I am the co host, Timothy. We cannot hear. [00:01:06] Speaker B: You cannot hear. Producer Aaron. Did we lose him? [00:01:10] Speaker C: And I'm producing. [00:01:12] Speaker B: Whoa, there he is. [00:01:14] Speaker A: Rock on. [00:01:16] Speaker C: Turn myself off. [00:01:18] Speaker B: I do that every time I look in the. [00:01:22] Speaker A: Just. [00:01:23] Speaker B: Can we. What? [00:01:24] Speaker A: Can we get a glass door so you can see? Yeah, for me. [00:01:30] Speaker B: So what's happening? First of all, before we get too far into any of that, I want to say happy birthday to our wonderful co host, Timothy today. [00:01:41] Speaker C: Happy birthday, Timothy. [00:01:43] Speaker A: Thank you. Thank you. [00:01:44] Speaker B: Yeah. Happy birthday. Old are you now? [00:01:49] Speaker A: 52. [00:01:50] Speaker B: 52, yeah. You sure about that? You had to think about that? Are you sure? [00:01:53] Speaker A: I wanted to say 20, but the bags under my eyes tell a different story. [00:01:59] Speaker B: So happy birthday, man. [00:02:00] Speaker A: Thank you. [00:02:01] Speaker B: Yeah. So we're going to say something before I interrupt it for a happy birthday. [00:02:09] Speaker C: You're going to talk about me? [00:02:11] Speaker B: Oh, we're going to talk about producer Aaron. [00:02:14] Speaker A: Yeah. [00:02:15] Speaker B: So as you can see, the studio is looking different. We are getting more and more equipment and different equipment. So, I mean, we have headphones to kind of make us look professional. We have these fancy dancy mic stands. Now we have a noise producer Aaron fumbling around in the studio, but we moved him out of the studio now. So he's in the. He moved out. I think he did it because he didn't like being in here, being stared at all the time. That's what I think. [00:02:54] Speaker A: I think. [00:02:54] Speaker C: So I moved myself out. [00:02:56] Speaker B: Yeah. [00:02:57] Speaker C: Old guys smell funny. [00:03:00] Speaker A: What? [00:03:04] Speaker B: So he's out in the producers booth now. So this is our first attempt at trying to do something a little more professional. Anyway, so today on Timmy T's birthday. [00:03:25] Speaker A: Yeah. [00:03:26] Speaker B: We are going to be talking about a love bazaar. [00:03:31] Speaker A: We are? [00:03:31] Speaker B: Yeah, we are. Before we start, though, it's too late. We started. [00:03:36] Speaker A: No, I mean, before we get into the. [00:03:38] Speaker B: Into the song. [00:03:39] Speaker A: Yeah. Okay. There are songs out there, and I don't think that's a lot of songs. But there are songs out there that I feel can never sound messed up. You got your mixes and all this, other people say, and it's still that great of a song where you can't screw it up. [00:04:07] Speaker B: Okay, okay. [00:04:08] Speaker A: Alumazar is not one of them. I always thought it was that you could do pretty much anything and it was still going to be great. [00:04:19] Speaker B: But apparently, during your listening excursion on a love bazaar. [00:04:29] Speaker A: Dude, I tried not to nitpick much. I did. [00:04:32] Speaker B: You tried? I tried, but that didn't happen. [00:04:37] Speaker A: Yeah, this is true. [00:04:41] Speaker B: Anyway, so let's discuss disgust. [00:04:46] Speaker A: Exactly. [00:04:47] Speaker B: We're disgusting. [00:04:50] Speaker A: What the. [00:04:51] Speaker B: Right. [00:04:51] Speaker A: Because we stink. [00:04:52] Speaker B: I know. We have that. Old man, old spice, I guess. [00:04:56] Speaker C: Yeah, I didn't say stink. I just said smell funny. [00:04:58] Speaker B: Define smell funny. [00:05:00] Speaker C: Yeah, funny. [00:05:04] Speaker A: Okay, there we go. [00:05:07] Speaker B: So, talking about old man smell, my dad has passed, but I love my dad. [00:05:12] Speaker A: I loved your dad. [00:05:13] Speaker B: My dad was great. He was one of the most amazing men ever. And it was always, this is going to sound disgusting, but I want to tell the story anyway. Growing up, my dad was a smoker, and I just hated going into the bathroom after he would go in there and drop a deuce, because he always smoked while he did it. So he walked into this bathroom and it was just this disgusting smell of cigarette smoke and old man poop. And I had to wait about an hour at least with the ceiling fan for that smell to dissipate. If I had to pee, I'd run in and do it real quick. But, man, if it was throne time and I had to sit on the throne, I had to wait. [00:06:08] Speaker A: Wow. [00:06:09] Speaker B: And it's funny because there's tons of things I remember about my dad, and that's probably one of. It's going to sound horrible, but that's one of the most vivid things that I still remember. That smell. That's horrible. [00:06:24] Speaker A: Anyway, that is funny. [00:06:26] Speaker B: So, yes, old men can smell funny. So a love bazaar was written and done by Sheila E. So we're getting into that territory of songs he wrote for other people, which that kind of made this one a little difficult to track down everything. It's harder to find lists of the covers and the sampling with someone other than Prince. Prince is a big name, and Prince has that huge cult following. So finding lists, they're everywhere. I couldn't find, like, a single source. So it was just a hunt and peck through the Internet to find as much as I could for this song. So chances are we're going to be really incomplete on this one. [00:07:29] Speaker A: For now. [00:07:30] Speaker B: For now, yeah. I mean, I keep digging on these songs as we go and find more, but we don't go back and add it to the episode or anything. But you can listen to them on our sister channel, YouTube channel. Yes, the Alphabet suite playlist. So we found, so far on this, we have found 69 total versions, including, I believe it is. Let me look. I want to say there's like 17 by Sheila herself. And that's like appearances. Like I said, you got to stop and think. This is like if she appeared on an award show or a radio talk show and she performed that song to me, that's kind of an official version. It's not a bootleg, but she actually performed it in an official capacity. So that's what I count and that's what I count with everything. So take it for what it's worth. I could find, like, I want to say it was like 16 or 17 versions by Sheila and then the rest are samples and covers. Mostly covers. There's only a handful of samples, but man, there are a ton of covers to this song. Just a ton. [00:09:00] Speaker A: And who would have thunk it? [00:09:02] Speaker B: I know, right? Of all the. So remember 1999? We had like 101 different versions of 1999. So far we're at 69 with this. Nothing else comes close to 1999. I mean, it's just crazy. So a love bazaar of all things. A love bazaar, right. Is the one that now has. Yeah. So it was written by Prince, of course, they say with Sheila E. But he always put other people, like when he worked with the time he'd put writing credit for. [00:09:43] Speaker A: However, in a thing, I was wringle star. I'm right here, dude. I can hear myself. Can you hear me now that's better. [00:09:59] Speaker B: Anyway, what I say ringo star. Yeah, Ringo star. [00:10:03] Speaker A: Okay. According to that, Sheila wrote the song. Yeah, but we know she didn't. She was in the hospital, bro. [00:10:15] Speaker B: Was she? [00:10:16] Speaker A: Yeah. [00:10:17] Speaker B: Oh, I saw that. [00:10:18] Speaker A: I didn't get to find out why. [00:10:20] Speaker B: Because it was on x. Yeah, I did see that. She's out now. She's good. [00:10:26] Speaker A: Okay. [00:10:26] Speaker B: But yeah, she was in the hospital. I saw a highlight. I didn't have a chance to read that article, but I did see how it pops up on your phone. Yeah, I saw that. She actually posted a picture of herself in the hospital. [00:10:39] Speaker A: Yeah, in the hospital bed. [00:10:41] Speaker B: Yeah. [00:10:42] Speaker A: I don't know what. Something that they found. I don't know what it was. [00:10:47] Speaker B: I don't think it was anything serious. I think once they found out what it was. I don't think it was anything serious. I don't want to speak on that because I don't know for sure. [00:10:55] Speaker A: Right. [00:10:56] Speaker B: But, yeah, I did hear that she was in the hospital. I'm not trying to be mean, but we're all getting older. [00:11:05] Speaker A: Yeah. [00:11:05] Speaker B: Things start to go awry. So anyway, back to the song. It was released back in 85, I believe. [00:11:22] Speaker A: 86. [00:11:23] Speaker B: 80. Thank you. Someone just dinged in my ear. [00:11:29] Speaker C: Boy, you better turn that phone off. [00:11:31] Speaker B: I think that was me. [00:11:32] Speaker A: Was it you? [00:11:33] Speaker B: I think so, yeah. Dang, bro, somebody's ding a linging me. [00:11:38] Speaker C: We're like 60 some Od episodes in, and you still don't got that figured out. [00:11:42] Speaker B: I usually don't bring my phone with me just because I don't. [00:11:46] Speaker A: I'm usually the one that. [00:11:47] Speaker B: It's usually Timothy T. Yeah. So, yeah, it was done in 86, right? That's what we said, 85. [00:12:01] Speaker A: That's a lie. [00:12:02] Speaker B: That's a lie. [00:12:03] Speaker A: Yeah, it is. [00:12:04] Speaker B: Okay. It's lying for the romance 1600 album. [00:12:10] Speaker A: Look, I'm pretty sure she said 86. I'm just saying. [00:12:16] Speaker B: Okay, I'm Ringo. You're Ringo. [00:12:18] Speaker A: No, I'm Timothy brother. Who's Ringo star anyway? [00:12:26] Speaker B: He's the drummer for the Beatles. He's really cool. I like Ringo star. [00:12:30] Speaker A: I don't know nothing about him. [00:12:31] Speaker B: Which would make sense why they're so close with her being a percussionist and him being a know. They're both drummers. So anyway. [00:12:40] Speaker A: Eddie Murphy. Oh, no. [00:12:42] Speaker B: Eddie Murphy. [00:12:43] Speaker A: I thought it said Eddie Murphy. [00:12:44] Speaker C: Speaking of Eddie Murphy, how about some snack time? [00:12:47] Speaker B: Ooh, snack time. Brought to you by our partners at Castos. [00:12:54] Speaker A: I wanted to say. [00:12:55] Speaker C: Remembered. [00:12:56] Speaker B: I did remember. [00:12:57] Speaker C: Hot dang. All right, I'll be in there in a party. People producer Aaron here with a special message just for you. Are you a podcast creator looking to take your show to the next level? Well, we've partnered with Castos, the ultimate podcast distribution platform built just for you. With Castos, you can easily distribute your podcast to multiple platforms, reaching millions of listeners worldwide. Castos works with all of the major podcasting platforms, including Apple Podcasts, Google Podcasts, Spotify, and many more. So your show can be heard everywhere your audience is. But that's not all. Castos also offers powerful analytics, giving you valuable insights into your audience's preferences and engagement. You can track your growth, episode downloads, listener demographics, helping you make informed decisions to improve your show. And here's the exciting part. Castos offers monetization options, too. You can easily monetize your podcast through sponsorships, ads, or even setting up a membership program for your loyal listeners. Turn your passion into profit with Castos. So what are you waiting for? Sign up at one of our links below today to support us and grow your own show. Castos is here to empower podcast creators like you with the tools and resources you need to succeed. Join the Castos community and unlock the full potential of your podcast. Start reaching more listeners, monetizing your content, and taking your show to new heights. Castos, the podcast distribution platform built for creators, once again. Use one of our links below now and sign up to embark on an incredible podcasting journey with castos. You don't want to miss this. All right, I'll be in there in a second. [00:14:29] Speaker A: Thank you, Castos. [00:14:30] Speaker B: Thank you, Castos. [00:14:33] Speaker A: I was going to say I got it written down. [00:14:35] Speaker B: You got it written down now? [00:14:36] Speaker A: Yeah. [00:14:36] Speaker B: So you can do it the next time. All right, so what do we got today? [00:14:41] Speaker A: Don't throw. [00:14:43] Speaker B: Don't throw. [00:14:43] Speaker A: No. And I'm not opening nothing. Remember what happened with that bag? [00:14:47] Speaker B: Well, you can open cans. I just don't think you haven't seen. [00:14:50] Speaker A: Me with a can. [00:14:50] Speaker B: Okay, so looks like we are going to try another Pringles product. I like Pringles. [00:14:57] Speaker A: They're okay. [00:14:58] Speaker B: No, I like the potato crisps. So we are going to try Pringles. Philly cheesesteak. Potato crisps, not chips. Listen, it's going to pop freshness. [00:15:17] Speaker A: How's that popping freshness cap coming off? [00:15:21] Speaker B: That's the pop right there. Okay, so I'm going to take a few Philly cheesesteak. I'm not a huge Philly cheesesteak fan. [00:15:36] Speaker A: Don't show your face. Catch. [00:15:39] Speaker B: Don't show your. [00:15:40] Speaker A: There's the whole thing in the beginning, remember, he wasn't going to show his face, so it was kind of a. [00:15:46] Speaker B: Cool thing to edit it out if. [00:15:47] Speaker A: He did put a big smiley on your Facebook. You started already, bro. I couldn't even wait for our producer to sit down. Thanks. Okay. [00:16:06] Speaker B: He had to come into the studio to get his chips. [00:16:08] Speaker A: Did you smell them? [00:16:10] Speaker B: No. Ah. [00:16:17] Speaker A: I think I was with a girl that smelt like that once. That's bringing back memories. [00:16:28] Speaker B: Not getting much of a flavor at all, quite honestly. [00:16:33] Speaker C: Not at all. [00:16:34] Speaker B: Yeah. I don't know. That can't be what Philly cheesesteaks really taste like. [00:16:43] Speaker C: Well, I haven't had one from Philly. No, but I have had one from a reputable source. [00:16:52] Speaker B: And I'm going to guess a lot better than that. I was going to say I'm going to guess it doesn't taste like. Not that these taste bad. They don't taste like anything. [00:16:59] Speaker C: They just kind of taste like a salty potato. [00:17:04] Speaker B: I mean, it's not even really super salty. [00:17:07] Speaker C: Nope. [00:17:08] Speaker B: In my opinion, you can kind of. [00:17:10] Speaker C: Get a little bit of, like, a provolone flavor. [00:17:15] Speaker B: Looks like Jimmy T. Does not like it ate. Why did you put it on a piece of paper? [00:17:26] Speaker A: I was looking for the Garbage can, but I don't think we got. [00:17:31] Speaker B: How can you say that's gross? It doesn't really taste like anything. [00:17:34] Speaker A: No, I get taste. It tastes like. It smells like a stinky. [00:17:37] Speaker B: Like the girl you were with. Is that what she tasted like, too? [00:17:40] Speaker A: I felt bad because look. Well, I'm looking. [00:17:49] Speaker C: Well, before we get on the topic of smelly hoohas. Thanks, Castos. [00:17:52] Speaker A: Yeah, thank you, Castos, for the smelly hoohas. [00:17:55] Speaker B: Smelly hoohahs. [00:17:59] Speaker A: Okay, there's this girl. Ain't going to mention names, but. Uhoh. [00:18:08] Speaker B: Uhoh. [00:18:10] Speaker A: I think we lost the sound from producer. [00:18:13] Speaker B: I think we're fine. [00:18:14] Speaker A: Kind of went down anyway. [00:18:16] Speaker B: This will drive you nuts. Isn't it set up? [00:18:19] Speaker A: I'll get used to it. So we were doing our thing. First time now. [00:18:27] Speaker B: Okay. How long have you known this girl? Were you dating her for a while or were you dating at all? Is this just a hookup or what? [00:18:36] Speaker A: Well, I met her when I lived at this party house. Right. And she was actually when I met her, I went upstairs because we broke into the upstairs apartment, too. Oh, nice. Yeah, we had furniture up there were sitting. They were sitting up there. So I go up and she's sitting on my friend Rick's lap. [00:18:59] Speaker B: Okay. I looked at her and he smelled her right away. [00:19:03] Speaker A: No. And I'm like, okay. So I go downstairs, and then she eventually came down, and I'm like, what's up? [00:19:15] Speaker B: So she's like, hey, is there more to the story? [00:19:19] Speaker A: There is, but I don't want to. [00:19:21] Speaker C: So you're blaming it on her when it could have been your friend Rick? [00:19:24] Speaker B: That is a good point. [00:19:25] Speaker A: No, we didn't do anything that day. Anyway, so I dated her for like a week, and then we decided, hey, we're going to do this. Are you for real? I think you're just hungry. Oh, okay. [00:19:39] Speaker B: Turned so they can see it. Just finish. [00:19:42] Speaker A: What? [00:19:43] Speaker B: Finish your story. [00:19:44] Speaker A: I'm looking at the front of the can right here. [00:19:46] Speaker B: Did I go too far? [00:19:49] Speaker A: Not more. What is you doing? [00:19:51] Speaker B: It's got two things on it. [00:19:52] Speaker A: Oh, my fault. I'm sorry. So about a week later, she comes over again and we decided we're going to do our thing. So I decided, okay, let me take these pants off. Not mine, hers. [00:20:06] Speaker B: That usually helps to have them both off. [00:20:07] Speaker A: Yeah, you grab the underwear too? [00:20:14] Speaker B: I said, oh, my God, put them right back on. [00:20:17] Speaker A: No, I took them off. I didn't say anything then. But then later on, her friend, I was talking to her and I said. [00:20:27] Speaker B: God, she ever showered, right? [00:20:29] Speaker A: That's what I said. Did she not shower? Do they not have water? Because it spank. She laughed. Well, then, like a week later. [00:20:38] Speaker B: But you did your thing anyway, didn't you? [00:20:40] Speaker A: Oh, yeah, but I wasn't going down there. [00:20:44] Speaker B: You weren't going downtown? [00:20:45] Speaker A: I wasn't going downtown to the drive through. So she ended up telling the girl what I said, and it upset her and it hurt her feelings and she cried and she says, I have lupus. I can't help it. [00:21:02] Speaker B: Wow, you are mean. [00:21:03] Speaker A: I was. Dude, I didn't know, though. It was funky. Like, that's what brought me back to them anyway. It was not a love bizarre, bro. [00:21:15] Speaker B: It's just a bizarre love. [00:21:16] Speaker A: It was. [00:21:17] Speaker B: That's what it was. All right, so I'm guessing you have notes. [00:21:25] Speaker A: I do. I kept it short, though. [00:21:28] Speaker B: Well, let's talk about your notes because. [00:21:30] Speaker A: I was like long winded with 1999. [00:21:34] Speaker B: Okay, but you didn't have a lot of notes. You would make one sentence into like 10 minutes of talking. That's why we went three episodes with that, bro. [00:21:45] Speaker A: I got my notes right here. Do you want me to. [00:21:49] Speaker B: I would like to hear you talk about a love bazaar. [00:21:52] Speaker A: Okay, look, I know what a love bazaar sounds like. [00:21:57] Speaker B: Okay. By Shirley E. That is good to know. [00:21:59] Speaker A: Okay, so I didn't do a whole lot of listening. I went to the covers samples. [00:22:05] Speaker B: Right. [00:22:06] Speaker A: Because I'm like a love bazaar. Really. I mean, wow. [00:22:11] Speaker B: Yeah. [00:22:11] Speaker A: Just kind of freaked me out. So anyway, I take my glasses off so I can see. [00:22:18] Speaker C: So I didn't know this, but I just happened to look at the connections between lupus and women. It can really mess up their whole reproductive system, especially the medications for it. [00:22:31] Speaker B: Really? [00:22:31] Speaker A: Yeah. [00:22:32] Speaker C: Start puberty later. [00:22:36] Speaker B: Pregnancy issues, apparently. Yeast issues. Yeah, which would cause the odor. [00:22:43] Speaker C: The medications and the steroids reduce. [00:22:48] Speaker B: Your probiotics. [00:22:50] Speaker C: Well, no, your bacteria, your immune system. [00:22:53] Speaker B: Your good bacteria. Yeah. [00:22:54] Speaker A: I was a jerk. [00:22:57] Speaker C: You didn't know though, to be fair. True, no, but kind of weird to ask a girl. Hey, your couter smells funny. [00:23:03] Speaker B: I was going to say he might not have known about the lupus, but that's still kind of a mean thing to say. Anyway, so back to Loveazar. [00:23:18] Speaker A: All right, so we got original mix, block and crown. [00:23:25] Speaker B: Yeah. [00:23:26] Speaker A: Okay. So I think that there was way too much going on with this song. [00:23:40] Speaker B: Okay. [00:23:41] Speaker A: The extra of the music that they threw in there was loud, overpowering of the voices. It's like. It's super loud. And then when they'd sing, it was like, at a lower. I don't know, what do you call that? [00:23:55] Speaker B: Lower register, lower tone, lower volume, lower something. I don't know if you noticed, but starting with that block and crown, you go down and you listen to them. Everyone seemed to want to turn it into, like, a dance mix. [00:24:10] Speaker A: Yeah, I didn't. [00:24:13] Speaker B: Did you notice that? [00:24:15] Speaker A: Yeah. [00:24:16] Speaker B: There was only, like, two or three different. Where they were not someone trying to turn it into a club style. It's just all beat, bass, boom. [00:24:32] Speaker A: That's not what this song was supposed to be. [00:24:35] Speaker B: I would tend to agree with that. The original intent was not that. But apparently the vast majority of people disagree with this because most of the people who remixed it or remade it turned it into a club dance song. [00:24:52] Speaker A: It's because they're dumb. [00:24:54] Speaker B: Is that what it is? [00:24:57] Speaker A: Man, they'd turn Dolly Parton into a damn dance club song. They probably have. I bet you they have something. [00:25:04] Speaker B: Nine to five. The dance remix. [00:25:06] Speaker A: I like that song, man. [00:25:08] Speaker B: The dance remix of it? [00:25:09] Speaker A: No, the song I haven't heard. Is there a dance remix? I don't know. I bet you there is. Some dumb ass out there did it. [00:25:15] Speaker B: It's probably done by Barry White. So anyway, what else you got? That was it for block and Crown? [00:25:26] Speaker A: Yeah. Remember I said at the beginning that I thought this was one of the songs that you just couldn't mess up? [00:25:33] Speaker B: But, no, the thing is, if you like dance mixes, then you're all good. [00:25:41] Speaker A: I like dance mixes on certain songs. I like house music and stuff. I like all that kind of stuff, but not this. This wasn't right. It was too much. It's like, okay, you got three kids at home and you're watching them. Then all of a sudden they got a slumber party. You got ten more freaking kids at the house. And all the commotion, all the loudness, all the craziness. That's what this song was, man. It's just too much. [00:26:11] Speaker B: You felt like it's just too over the top. [00:26:14] Speaker A: Yeah. Okay. [00:26:17] Speaker B: Excuse me. [00:26:19] Speaker A: Anything you'd like to say about that? I don't want to go into something else. [00:26:23] Speaker B: Keep going. [00:26:24] Speaker A: Okay. [00:26:25] Speaker B: I got a frog in my throat, apparently. [00:26:30] Speaker A: Might be them soft nuts that you got in your throat. [00:26:33] Speaker B: Soft nuts. I had pringles. [00:26:37] Speaker A: We don't know what the hell you had before this show, bro. [00:26:41] Speaker B: Not a stinky girl's crotch. [00:26:44] Speaker A: Okay, so anyway, I'm going to save my stories for somebody else. [00:26:49] Speaker B: No, these stories. [00:26:53] Speaker A: Okay. World's greatest 80s hits. [00:26:56] Speaker B: Yeah. [00:26:58] Speaker A: Before I do a love bazaar, did you hear what they did to Electric Avenue? [00:27:05] Speaker B: I did not. I did not pay attention to that one. Did they miss that? I love that song, too. So do I. Electric avenue. [00:27:11] Speaker A: The guy. [00:27:12] Speaker B: That's Eddie Grant. [00:27:14] Speaker A: No, the guy on the. [00:27:15] Speaker B: Oh, on the bad. [00:27:19] Speaker A: Look, I'm going to have to go. [00:27:20] Speaker B: Back and listen to that, too. [00:27:22] Speaker A: I'm like, okay, world's greatest 80s hits. I didn't know it was by other people. [00:27:27] Speaker B: Well, why would I put it on there? [00:27:30] Speaker A: I don't know. So I went in it thinking Eddie Grant, and I'm hearing some goof ass. I'm like, what did you do? [00:27:39] Speaker B: Apparently not singing the song. [00:27:41] Speaker A: Yeah, it was, um. And it stayed pretty true to the way talking about. [00:27:52] Speaker B: We're not talking about anymore. We're talking about electric Avenue. [00:27:55] Speaker A: Okay. Back to. Back to. [00:28:02] Speaker B: No, we're not doing back to life. [00:28:04] Speaker A: I love that song. [00:28:05] Speaker B: I love bizarre. [00:28:06] Speaker A: Okay. [00:28:06] Speaker B: I love bizarre focus. [00:28:08] Speaker A: Yeah, it was okay. And it stayed pretty true to the original. I mean, it was okay. I don't know. [00:28:16] Speaker B: It was a very toned down mix. [00:28:18] Speaker A: Yeah, but it did stay true to. [00:28:21] Speaker B: How did stay true to the original was not a dance club mix. [00:28:25] Speaker A: Correct. Damn, bro. [00:28:28] Speaker B: I know. [00:28:29] Speaker A: We need a mute button. [00:28:31] Speaker B: I don't know what's going on. [00:28:32] Speaker A: Fraser had a mute button. Can we have a mute button? [00:28:35] Speaker B: No, because then you'd be muted. Look, he's doing it now. I like that. [00:28:40] Speaker A: That was good. [00:28:41] Speaker C: You're welcome. [00:28:41] Speaker B: Thank you, producer. Aaron. That just means he has total control. If he doesn't like what either of us are saying, we're gone. [00:28:50] Speaker A: All right, so you don't know, but I'm staring at this door looking at you, boy. All right. Anything you got on that? [00:29:02] Speaker B: No, I agree with you. It was all right. I don't know if I'd pick it to listen to, but it was all right. [00:29:08] Speaker A: All right, let's go with D Bone. [00:29:10] Speaker B: Oh, let's not. That was. Go ahead, talk about it. [00:29:16] Speaker A: I'm not sure why he used the she Lee music in it now. [00:29:23] Speaker B: D bone, just so everyone knows, d Bone was a sample, not a cover. [00:29:27] Speaker A: Correct. [00:29:30] Speaker B: I didn't even look to see the date that was released. That felt like it was released back in the old rap. [00:29:39] Speaker A: It couldn't have been. I mean, I'm thinking 90s, because he was talking about hoes and stuff. [00:29:49] Speaker B: I don't know. But that song was. [00:29:52] Speaker A: Well, I like his voice. [00:29:54] Speaker B: Really, I do. [00:29:56] Speaker A: I didn't care for that song, but I do like his voice. [00:29:59] Speaker B: Okay. [00:29:59] Speaker A: So that would be, like, something that I'm going to go check on later on other stuff. [00:30:03] Speaker B: Check the rest of his music. [00:30:04] Speaker A: Yeah. I don't think it was terrible, but it wasn't. [00:30:09] Speaker B: Yeah, I couldn't get into that one. [00:30:10] Speaker A: Yeah. That's all I got for that. [00:30:13] Speaker B: That's all I got to say about that. [00:30:16] Speaker A: Dr. Packer. [00:30:19] Speaker B: Not Dr. Packer. Dr. Packer. [00:30:21] Speaker A: Right. What's the name of that CD that he had? Because I read something else when I glanced at it. Boogie. [00:30:30] Speaker B: What? Let me find him on here. [00:30:33] Speaker A: Boogie Packer or something. [00:30:39] Speaker B: Boogie Grinder. [00:30:40] Speaker A: Boogie Grinder. I thought it said booty. Booty. [00:30:43] Speaker B: Booty grinder. [00:30:44] Speaker A: Yeah. I had to double check. I was like, what? [00:30:49] Speaker B: It was Boogie Grinder. Dr. Packer. [00:30:53] Speaker A: It was very enjoyable. Yeah, I really liked that. [00:30:57] Speaker B: Well, if I remember that one correctly, isn't that the one where he just remixed Sheila's version? It was her singing, yes. It wasn't him, actually. He just remixed her version on his. [00:31:07] Speaker A: Yeah, but I like the way he did it. I mean, it was good. [00:31:10] Speaker B: It was all right, so, I mean. [00:31:11] Speaker A: You have your terrible crap on that song, but then you do have them. [00:31:15] Speaker B: Yeah, there's a few. One of the ones that I like. And I don't know if you made it this far, because I know you didn't get a chance to listen to everything. But there is a Group, a all female group called Monroe's. [00:31:27] Speaker A: Okay. [00:31:27] Speaker B: Did you listen to that one? [00:31:31] Speaker A: When I go through my notes, you. [00:31:33] Speaker B: Will know that I will hold off until we get to there. [00:31:37] Speaker A: Thank you. [00:31:38] Speaker B: I was just going to say, though. [00:31:39] Speaker A: I did listen to it. [00:31:40] Speaker B: Okay. [00:31:40] Speaker A: I got notes on it. [00:31:41] Speaker B: Okay, then we'll wait till we get to there. [00:31:43] Speaker A: Okay. [00:31:44] Speaker B: So anyway, next, this is going to be a 1999 thing. I can see it now. [00:31:53] Speaker A: No. [00:31:53] Speaker B: Okay. [00:31:55] Speaker A: Love sign, a love bazaar, La Monday radio. I don't know if I'm saying that right. [00:32:03] Speaker B: What? [00:32:04] Speaker A: La Monday. [00:32:09] Speaker B: It's the La Monday radio version. Yeah. Okay. [00:32:16] Speaker A: You listened to that, right? [00:32:18] Speaker B: I did. Do you recall it specifically? I'm going to say no, because I got to the point where there were so many of these that were just dance. They all started sounding the same to me. I ain't going to lie. There's no way I would be able to pick a version out. If someone said, hey, pick out the La Monday radio version, I'm going to be like, throw a dart and see what you. Because, yeah, they all just began to sound the same to me. [00:32:48] Speaker A: Okay. [00:32:50] Speaker B: Apparently that version stuck out to you. [00:32:53] Speaker A: It sucked. It was terrible. I don't know if that was a man or a female singing. I'm like, what the hell, man? Just terrible. And there was like, what, four different versions? [00:33:08] Speaker B: Yeah. [00:33:09] Speaker A: I'm like, no, I'm not even listening to the next one because this is crap, man. [00:33:13] Speaker B: So you didn't listen to the others? [00:33:15] Speaker A: No. Hell no. Waste my time. It goes down the same as the other crap. [00:33:20] Speaker B: Okay, so turn the page on that one love sign. [00:33:26] Speaker A: Thumbs down. [00:33:26] Speaker B: Thumbs down. All over. Okay. We have more notes. [00:33:34] Speaker A: We do. [00:33:35] Speaker B: So ready when you are, Michael Hedges. Yeah, you go. That one was like. He had slowed that down so much and changed so much about it that I almost could not tell. It was a love bizarre. [00:34:10] Speaker A: I will agree. [00:34:12] Speaker B: So, did I like it? Right now I'm going to say no. [00:34:18] Speaker A: Okay. [00:34:19] Speaker B: It does have a possibility of me listening to it a couple more times to maybe soak it in a little bit. But as of now, I am not a fan. You. [00:34:38] Speaker A: I don't even know why he did it. Because it was terrible. [00:34:43] Speaker B: All right. [00:34:44] Speaker A: However, it is sad, though, because I think he's got a good voice. [00:34:50] Speaker B: Yeah, that's why I said I like his voice. It has the possibilities of me going back. But it was so like I said, I could not tell that until he started singing and hear the words. That it was a love bizarre. [00:35:07] Speaker A: When he first started, I'm like, oh, my God, I got to turn this off because I'm like, what is he doing? But then I just let it keep going. I'm like, you know what? Okay. Yeah, it's different. It sucks. But his voice. [00:35:22] Speaker B: Yeah, I like his voice. [00:35:24] Speaker A: I'm going to look for him, too, as well, see if I can find something else that he does. [00:35:28] Speaker B: Well, I got the whole album, like I said, I just got to get you copies of it all so you can listen to them. [00:35:36] Speaker A: Wrinklestar. [00:35:38] Speaker B: Okay, but all star. Yeah, and that's the thing. It's Sheila E. Appearing on the wrinklestar all star band doing her song. So, I mean, is it really? [00:35:50] Speaker A: Not really. I mean, they are playing the music. [00:35:52] Speaker B: Right. But it's Sheila still singing. [00:35:55] Speaker A: Yeah. [00:35:56] Speaker B: So, okay. [00:35:58] Speaker A: What did you think? [00:35:59] Speaker B: I enjoyed it. [00:36:00] Speaker A: Did you? [00:36:01] Speaker B: Yeah. [00:36:01] Speaker A: Really? [00:36:02] Speaker B: Yeah. [00:36:02] Speaker A: Honestly. [00:36:04] Speaker B: Are you just saying, no, I'm lying. No, I enjoyed it. [00:36:08] Speaker A: Okay. [00:36:08] Speaker B: I like, I really. [00:36:11] Speaker A: I didn't like the Beatles. I think they were way overrated. But for that time, error, like Elvis. I don't know. [00:36:23] Speaker B: And Prince? [00:36:24] Speaker A: No, he's up here, bro. [00:36:26] Speaker B: I remember. [00:36:27] Speaker A: Okay. [00:36:29] Speaker B: Didn't like it then I got just one question. [00:36:34] Speaker A: Just one maybe you can answer. [00:36:36] Speaker B: Okay. [00:36:36] Speaker A: All right, so look at here. [00:36:41] Speaker B: Look at you. [00:36:42] Speaker A: Oh, yeah. Moving that bad boy. Okay, so when. When prince is not around. Okay, I'm not, like, talking because he passed, but, like, when he was. Okay. [00:36:58] Speaker B: Okay. So I'm waiting for the question. [00:37:05] Speaker A: Did everybody just freaking lose their mind on the music and how they do it when he's not around? Because to me, this was shit. I don't know. She wasn't singing it the way she should have. When Prince was there, it was saying, excellent. And she's not the only one. There are many artists that he's wrote for, sang with whatever. And when he's, like, not in the mix of it or he's not there singing with. So what you're saying, freaking change the. [00:37:36] Speaker B: Crap when he's not there controlling them and making them do everything the way he wants it done. [00:37:41] Speaker A: The way it should be done? Yeah. [00:37:43] Speaker B: The way it should be done. [00:37:44] Speaker A: Yeah. [00:37:45] Speaker B: Okay. I just wanted to make sure I understood what you were saying. So everyone who does Prince written or performed music now is performing it like crap because Prince is not there to control the situation. [00:38:00] Speaker A: Not all of them, but that's what you were saying. You're not most of them. [00:38:05] Speaker B: Okay. [00:38:05] Speaker A: Because I've heard Susannah haas the bangles sing. [00:38:11] Speaker B: Okay. [00:38:12] Speaker A: After he's passed. [00:38:14] Speaker B: Okay. [00:38:15] Speaker A: And they still stay true to it. [00:38:18] Speaker B: Okay. [00:38:19] Speaker A: That's great. [00:38:20] Speaker B: Okay. [00:38:20] Speaker A: That's what I expect. [00:38:21] Speaker B: All right. [00:38:22] Speaker A: I don't want to hear some crazy crap with some ringo. [00:38:26] Speaker B: You don't want to hear any alternate takes or different ideas on how to do a song other than Prince's version? [00:38:34] Speaker A: No, that's not what I'm saying. What I'm saying if there's, like, other takes, okay, so we'll call them remixes or we'll call them alternate versions. Deuces Wild's version. I don't care what you call it, but don't call it the original song. It's not original. If you're going to sing it different, that annoys me. [00:38:55] Speaker B: I see. So when Prince would sing his own songs differently, he should have called them something different. Bro, prince can do what he wants to, okay? [00:39:04] Speaker A: He badass no matter what he does. [00:39:06] Speaker B: I got it. I'm with you now. I understand the rules. [00:39:08] Speaker A: All right. So can you answer my question, though? Do people lose their mind? [00:39:12] Speaker B: Can I answer what question do people. [00:39:15] Speaker A: Lose their mind when he wasn't around to control things? [00:39:19] Speaker B: Dude, I have no idea if people are losing their mind, okay? I can tell you right now, at my age, I'm beginning to lose mind listening to me. [00:39:29] Speaker A: Right. [00:39:30] Speaker B: It doesn't help matters any. [00:39:32] Speaker A: I'm done with that. [00:39:33] Speaker B: Okay. You know what's kind of weird is how quiet producer Aaron is now that he's not in the room with us. Yeah, he's probably, like, not even in the production booth. He's probably going to the bathroom or something. [00:39:48] Speaker C: I'm right here, big dog. [00:39:49] Speaker B: Okay. [00:39:50] Speaker A: There we go. [00:39:50] Speaker B: You're awful quiet. [00:39:53] Speaker C: I got nothing to say. [00:39:55] Speaker B: Usually you're, like, very vocal. [00:39:57] Speaker A: Vocal? [00:39:57] Speaker B: Yeah. [00:40:00] Speaker A: That's okay. [00:40:01] Speaker C: I got nothing to say. [00:40:02] Speaker B: Okay. [00:40:03] Speaker A: He'll bust in with something or turn us off. [00:40:08] Speaker B: All right, next. [00:40:11] Speaker A: I don't even know how to pronounce this dude's name. Semyon. [00:40:17] Speaker B: Yeah. Let me find his name here, because he is one of them. That. Yeah. Semyon Kobiaki. Kobiaka. [00:40:30] Speaker A: Okay. [00:40:31] Speaker B: Yeah. He's a cellist. I believe he plays the cello. [00:40:37] Speaker A: Okay. [00:40:38] Speaker B: Which producer Aaron plays? [00:40:41] Speaker A: No way. [00:40:42] Speaker B: Yeah. [00:40:43] Speaker A: That's very cool. [00:40:44] Speaker B: Yeah. So, yeah, his version was. It was really toned down also, but I found it kind of intriguing because he was playing the cello and singing. His voice wasn't too bad, either. And when I found the name of his album, Wabisabi, I found that kind of funny. [00:41:07] Speaker A: What does that mean? [00:41:08] Speaker B: I have not a clue. [00:41:09] Speaker A: Okay. [00:41:10] Speaker C: You can find semeoncobialca at celloboy seven. [00:41:17] Speaker B: Cello boy. Is that his website? [00:41:21] Speaker C: Yeah. [00:41:23] Speaker B: Check him out. I mean, he really is not that bad to me. Does it say how many albums he's got out? Because we got wabisabi. [00:41:35] Speaker C: One, two. I see two. [00:41:40] Speaker B: Just two. [00:41:41] Speaker C: Miracle Miles and wabisabi. That was his debut album. [00:41:47] Speaker B: Wabisabi? Yeah. So check out cello boy seven. How did you say semian Kobiaka? [00:41:55] Speaker C: That's what I said. [00:41:56] Speaker B: Okay. [00:41:56] Speaker C: Semian Kobi Alka. [00:41:58] Speaker B: Kobi Alka. Okay. [00:42:02] Speaker C: What was the name of his cover? [00:42:05] Speaker B: The name of his cover was Alabazar on Wabi sabi. I don't see it. I got it. It's not listed on his album? No. I wonder if he had to take it off for copyright reasons after he did it or something. Because I have it. [00:42:30] Speaker C: It's not on his website. [00:42:31] Speaker B: I got the wabisabi album, and it's on there, but apparently Timmy T. Over there is deep in thought. [00:42:46] Speaker C: Typing I'm researching. [00:42:50] Speaker B: That's what he does. That's what a producer does on his YouTube. Is it? [00:42:59] Speaker C: That's an ad. [00:43:00] Speaker B: That is an ad. There it is. [00:43:09] Speaker C: I'm not going to play it all. [00:43:10] Speaker A: Check it out. [00:43:11] Speaker B: Yeah, check him out on YouTube. It is on his YouTube channel. [00:43:14] Speaker C: Oh, he doesn't have a channel. He just has a topic. [00:43:17] Speaker B: And that's the same. Oh, okay. So Timmy Teague's looking like he's getting frustrated because we took away his thunder. [00:43:27] Speaker A: Or listening. [00:43:31] Speaker B: What did you think of him? [00:43:32] Speaker A: I was letting our producer produce and. [00:43:34] Speaker B: Research, letting him do his job. [00:43:38] Speaker A: I only had one thing to say and no wobby sabby. Wow. Next. [00:43:47] Speaker B: Okay, hold on. [00:43:49] Speaker C: I found it. [00:43:50] Speaker B: Horrible. You found what? [00:43:52] Speaker C: It is on the album. I just missed it. [00:43:54] Speaker B: Okay, horrible. [00:43:56] Speaker A: Don't check it out. [00:43:57] Speaker B: Don't check it out unless you want. [00:43:59] Speaker C: Mute me and check it out. [00:44:01] Speaker B: He's going to check it out now. Okay, next. What else you got? [00:44:11] Speaker A: Thought he muted himself. [00:44:12] Speaker B: He did, but it's coming through the. [00:44:14] Speaker A: Oh, it's coming through the. [00:44:15] Speaker B: Coming through the wall, the barrier. Just a little bit. [00:44:19] Speaker A: All right. [00:44:20] Speaker C: I think it sounds great. [00:44:22] Speaker B: Yeah. [00:44:22] Speaker A: Thank you. Because you all smoke some funny stuff. [00:44:25] Speaker B: Musical enhancers. [00:44:26] Speaker A: No, it's that cigarette smoke that used to smell when you go in the bathroom with your dad. [00:44:31] Speaker B: I don't think my dad was doing musical enhancers. [00:44:34] Speaker C: I just appreciate cello. [00:44:37] Speaker B: Yeah, he's actually pretty good, ain't he? [00:44:39] Speaker C: I think so. [00:44:41] Speaker A: Look, I have no problem with the music and his voice is fine. I don't like his voice. No wabisabi? No wabisabi. [00:44:50] Speaker B: Okay. [00:44:51] Speaker A: None. [00:44:51] Speaker B: We'll just agree to disagree and move on. Okay. [00:44:54] Speaker A: Kimley. [00:44:54] Speaker B: Yeah. [00:44:55] Speaker A: Monroe. Monroe. [00:44:56] Speaker B: Monroe's. [00:44:57] Speaker A: Okay, now you can go. [00:45:00] Speaker B: They stayed so true to the original that even the ad libs that Sheila does in the song, they did, but they modernized it. You could tell it wasn't the, you know, they played it modern. I really enjoyed Monroe's. Is this going to be. No. I am either. That was the name of their album. I am. [00:45:26] Speaker A: Was it? [00:45:27] Speaker B: Yeah. Are you gonna say, I think I remember that? Are you gonna say no, I am. [00:45:32] Speaker A: They. [00:45:33] Speaker C: No, I'm not. [00:45:34] Speaker B: No, you're not. [00:45:37] Speaker A: In my opinion, made this song sound sexy. What I do now is when I go and listen to covers and all that, and I don't know what the people look like. [00:45:52] Speaker B: You go look them up. [00:45:53] Speaker A: I don't look at them. I usually look at them first and then that changed my whole thought process on the song. [00:45:59] Speaker B: So you go into it with a different perspective. [00:46:02] Speaker A: Correct. So I didn't look at them, but then they made it sound like they were sexy. [00:46:09] Speaker B: So then you went and looked at them, didn't you? [00:46:10] Speaker A: And I was like, oh, baby, I love the version. Yeah. Stayed true. And I love that. And I agree. It's like a modern version of it. And it was really good. They did a great job. [00:46:26] Speaker B: That. They did a great job. Yeah. [00:46:28] Speaker A: I've never heard of them before. And it's too bad because they actually. [00:46:32] Speaker B: Have a couple of albums out. [00:46:34] Speaker A: Do they? [00:46:34] Speaker B: Yeah. I only get the ones that have the songs I need. I don't try to grab go. So I don't know what else they have. [00:46:43] Speaker A: You don't go and get the whole discography thing? [00:46:45] Speaker B: No, I used to do that. I know. [00:46:47] Speaker A: Anyway, was it german? Warrant? [00:46:50] Speaker B: Yeah. Warrant from Germany. [00:46:51] Speaker A: That was crazy. [00:46:52] Speaker B: No, that was stupid. [00:46:53] Speaker A: But anyway. [00:46:54] Speaker B: Go ahead. [00:46:54] Speaker A: Naked in English. [00:46:56] Speaker B: Oh, that's not. Do we have to talk about that one? [00:46:58] Speaker A: Oh, sorry. Live in Weirdsville. That's what it was from. [00:47:02] Speaker B: Yeah. [00:47:03] Speaker A: I'm just going to say this version stays true to the name of the CD. [00:47:09] Speaker B: Yes. Weirdsville live and Weirdsville. That is exactly. That was horrible. That was horrible one. Yeah. So, I'm sorry. Naked in science class, if you're. What's the name of what? Castos. [00:47:33] Speaker A: Thank you. Castos. For what? I just wanted to bust in with. Because this is the page I got it written on. [00:47:42] Speaker B: Oh, for cry out. [00:47:42] Speaker A: Okay, just shut up. Look pretty. [00:47:45] Speaker B: That's long gone. That shit's unsaled, man. [00:47:48] Speaker A: Okay, so Sharon Nelson, now, who is this person? [00:47:58] Speaker B: That's princess sister. [00:47:59] Speaker A: Okay, so I didn't have much to say about it. I said I refused to comment because I thought it was his sister. And I'm just leaving it there. [00:48:10] Speaker B: Yeah, let's leave that one alone. [00:48:13] Speaker A: It was different. [00:48:16] Speaker B: Okay, we'll agree to. Yeah, we can call it that. [00:48:22] Speaker A: Okay. [00:48:23] Speaker B: You know, the thing is, she's got, like, multiple albums out. [00:48:26] Speaker A: Are you freaking kidding me? [00:48:27] Speaker B: Yeah. [00:48:28] Speaker A: Oh, that's great for her, though, because everybody thinks they can freaking sing. I'm going to put an album out. [00:48:38] Speaker B: I don't want to do it next. [00:48:40] Speaker A: Okay. So fat. [00:48:42] Speaker B: Hey, I'm trying to watch my figure. Don't get rude. Why do you get that way? [00:48:54] Speaker A: Did you find it? Do you remember it? [00:48:57] Speaker B: Oh, I remember it. And the sad thing is I couldn't even find. There's more versions out there by them that I couldn't get. I can't find them anywhere. [00:49:07] Speaker A: Really? More versions? [00:49:09] Speaker B: Yeah, there's at least four. [00:49:13] Speaker A: So there's four more versions to that mess? [00:49:17] Speaker B: Yes. [00:49:17] Speaker A: Oh, lord. No. [00:49:19] Speaker B: Yeah. [00:49:19] Speaker A: So I said no. [00:49:21] Speaker B: Yeah. Why does everybody want to turn it into a club hip hop dance song? I don't know. I don't understand what the thing is with this one song. Because when we listen to all them different versions of 1999, some of them were trying to turn it into. Some would turn it into hip hop, some of them would turn it into rap, some of them would slow it down, some would speed it up. This song, everyone seems to think, oh, this needs to be a dance club song. I don't get it anyway. Yeah, there's four more versions out there that I could not find no matter where I looked. So are we really missing anything? No, but it does mean we're incomplete. [00:50:12] Speaker A: That doesn't always mean it's a bad thing. [00:50:15] Speaker B: No, but the completest in me goes nuts when I can't get everything. I get it anyway. [00:50:24] Speaker A: Sarah Gosa band. [00:50:27] Speaker B: Yeah, that one was the Saragosa band. And it had a weird album name that was. What was it? The Zaz. Zabadak. Yeah. [00:50:44] Speaker C: That's a hell of a name. [00:50:45] Speaker B: It is. It's Z-A-Z-A-Z-A-B-A-D-A-K. Zaz zabadak by the Saragosa band. [00:50:59] Speaker A: I'm just glad that it was only 1 minute and 42 seconds. Enough said. [00:51:06] Speaker B: Yeah. It was not the greatest. [00:51:09] Speaker A: That's all I got, man. [00:51:10] Speaker B: That's all you got? You didn't listen to the rest? [00:51:12] Speaker A: No. [00:51:12] Speaker B: Okay. You didn't really miss much. There was, like another band called Wildfire that did, like, eight different dance mixes to it. Yeah, it was horrible. Yeah. It seemed like everyone just wanted to do dance. Know? I would say the only one that you didn't listen to that probably would have been a little different was there was someone named Layla Hathaway who did a. [00:51:42] Speaker A: Was. I'd seen it. [00:51:43] Speaker B: Yeah. [00:51:44] Speaker A: And I was gonna. [00:51:45] Speaker B: The song itself is all right. I mean, it's just kind of an R B song. But when you listen to it, she only sampled, like, the lyrics. There was no musical part. But at one time she said, that's what we are, what we all want to love. Bizarre. And that was it. So she just sampled one line. So the rest of the song was actually just a whole different song. So if you do get time, go back and listen to it anyway. I think we have spent way too much time on this one. [00:52:17] Speaker A: You said this every time I take notes, but then you complain because I don't listen to everything. [00:52:23] Speaker B: The whole point is not to have to discuss everything. [00:52:28] Speaker A: If something jumps out at it, if. [00:52:30] Speaker B: Something jumps out and just kind of get. I mean, you should listen to them all. That's kind of. The point is listen to them all so we can talk about. Because there's another version of this done by dump. Remember dump? [00:52:43] Speaker A: Oh, no. [00:52:44] Speaker B: Dump did a cover. Yeah, and that was just horrible. So I am not a dump fan, and I'm sorry, dump, if you're listening, I doubt you are, but if you are, I'm not a fan of your music. The name says it all. Dump. [00:53:00] Speaker A: Told you. Everybody thinks they can sing, man. [00:53:03] Speaker B: Yeah. [00:53:03] Speaker A: Just saying. [00:53:04] Speaker B: That's why. It's not that we have to listen to every song and comment on every song, because they're going to hear it on our sister channel anyway, when we get to it. [00:53:16] Speaker C: Everybody can sing. Just not everybody can sing. [00:53:20] Speaker B: Well, there. [00:53:21] Speaker A: Not everybody should be on an album. [00:53:25] Speaker B: If people like people who do not sing, well, then by all means. [00:53:31] Speaker A: By all means, just grab a CD and dump. Right? Yeah. Okay. [00:53:36] Speaker C: I mean, it is in the title, though. [00:53:37] Speaker B: It is a thank you. This is exactly where I'm going. [00:53:41] Speaker C: But then again, garbage got pretty big. [00:53:46] Speaker B: Did they? [00:53:47] Speaker C: I mean, I know of them, but. [00:53:50] Speaker B: You don't know of exactly. [00:53:52] Speaker A: Garbage. [00:53:53] Speaker B: Garbage. Isn't there a female singer for that one? [00:53:59] Speaker C: Yeah, and I think they're also from. [00:54:01] Speaker A: Other than. [00:54:05] Speaker B: Courtney Love. [00:54:08] Speaker A: Yeah, I don't want to go there. [00:54:09] Speaker B: I think she killed Kurt. [00:54:11] Speaker A: I don't care what the police say. [00:54:12] Speaker B: We're not going to talk conspiracy theories right now. Yeah. [00:54:17] Speaker A: Kurt Cobain was awesome. [00:54:19] Speaker C: I do not see Courtney love in there. [00:54:23] Speaker B: What was her group then, if it wasn't garbage? Whole. [00:54:27] Speaker C: That's what. [00:54:27] Speaker B: Maybe it was whole. Garbage hole. [00:54:30] Speaker A: Garbage hole. [00:54:31] Speaker C: They're from Madison. [00:54:32] Speaker B: Are they? [00:54:33] Speaker C: Which makes sense, because Metallica played their song when we went to see them there. [00:54:37] Speaker B: Okay. [00:54:39] Speaker C: And the singer is a scottish singer named Shirley Manson. [00:54:44] Speaker B: Okay. [00:54:45] Speaker C: Yelp. [00:54:46] Speaker B: Well, there you go. [00:54:46] Speaker C: They have a guy named Butch. [00:54:49] Speaker B: Butch. Hey, Butch. Butch. So I think we're going to wrap this one up. [00:54:57] Speaker A: I'm trying to talk. [00:54:58] Speaker B: Are you? [00:54:58] Speaker A: Yeah. David tell you I like the name Darryl. I don't have another kid. I told my daughter, I said, if you have a kid and it's a boy, you're going to call it Darryl. [00:55:10] Speaker B: And my other brother Darryl, because I got the little. [00:55:17] Speaker A: What they call now the little things. And there's a walking dead. It's a Darryl. [00:55:22] Speaker B: Oh, like a bobblehead? [00:55:23] Speaker A: Yeah, but he doesn't. [00:55:27] Speaker B: The funko pop. [00:55:28] Speaker A: Yeah. [00:55:29] Speaker B: I thought those were bobbleheads. [00:55:31] Speaker C: I believe they have some that are bobbles. Like a different line, but the normal ones do not. They turn, though. [00:55:38] Speaker B: I thought they all bobbled. [00:55:40] Speaker A: No. [00:55:41] Speaker B: Okay. [00:55:42] Speaker C: Do you know that Weebly's wobble? [00:55:43] Speaker B: But they don't fall down? [00:55:45] Speaker A: Yeah, they will if you shoot them. [00:55:48] Speaker B: Oh, no, they won't. They will come right back up. [00:55:50] Speaker A: I just like to say I get. [00:55:52] Speaker B: Knocked down, but I get up again. [00:55:54] Speaker C: And a weebly is going to knock you out. [00:55:56] Speaker B: Is that a song? Yeah. [00:55:59] Speaker A: Is that like chamba womba or chumbawamba tubba thumping? I'm freaking. [00:56:03] Speaker B: Okay, enough. We're going to wrap this one up. Apparently you can hit us up on Twitter, formerly X. Timmy T is having some issues over there. Okay, go ahead. You can also hit us up on Facebook. [00:56:23] Speaker A: Don't steal my thunder on that, man. [00:56:25] Speaker B: Don't steal your thunder. Where does our Facebook page? [00:56:28] Speaker A: Alphabetsuite podcast on the Facebook. [00:56:32] Speaker B: You can hit us up on email, on the Gmail. On the gmail. [00:56:40] Speaker A: Alphasuite. [00:56:40] Speaker B: Alphasuitepodcast. At Gmail. We don't have Instagram. But we do. [00:56:47] Speaker A: But we don't. I'm not updated with it on there. Yeah, but if you comment on there, we will reply. Yeah, we will reply because I get notified. [00:56:58] Speaker B: Timmy T will reply. Yeah, I will not reply. [00:57:03] Speaker A: You're not going to reply? [00:57:04] Speaker B: No, I don't. I don't know how to do all that. [00:57:07] Speaker A: Really? [00:57:07] Speaker B: Yeah, I really don't. [00:57:09] Speaker A: What are you, 59, 60? [00:57:11] Speaker B: Yeah. Technology and me don't get along social media. But yeah, hit us up like us. Subscribe us, comment below. Put it to your face, dude. [00:57:29] Speaker C: It moves. [00:57:30] Speaker A: Abro. Yeah, go back out there. [00:57:35] Speaker B: So until next time, people. [00:57:40] Speaker A: What? Patreon, bro. [00:57:43] Speaker B: Well, then say it. [00:57:46] Speaker A: That's usually our producer says it. Oh, yeah, you're in here. Okay, go. [00:57:51] Speaker B: So hit us. Patreon.com alphabetsweetpodcast. [00:57:56] Speaker A: Is that how it is? Is it like forward slash or anything like? Because I don't know. [00:58:00] Speaker B: Yeah, there's a patreon.com alphabetsweetpodcast. We got a lot of cool stuff going up there. We're getting more and more as we go. [00:58:08] Speaker A: Our producer is doing a wonderful job with that. [00:58:11] Speaker B: He is doing a great job. So if you want to help support us, that's really the only way we get support, is through Patreon. Yeah. Partnership through Castos. If you want to start your own podcast, you can click on the links below. [00:58:25] Speaker A: You know, I wanted to tell, I'm sorry, I don't mean to make this longer, but when I listen to the very first time I listened to him, our producer, do the castos thing for some reason, just the way he did it. I can picture him doing the advertisement thing for a porno. He just had that. The way he was saying it just sounded like a porn guy. I'm just saying. [00:58:55] Speaker B: Brown chicken, brown cat. All right, I think this has gone off the rails enough. Till next time. Peace. [00:59:04] Speaker A: Peace. [00:59:15] Speaker C: This has been at Tonka Enterprises production.